FTX-813 - IUWALE-O-IUWALE
African Songs Of Protest
Songs, recorded by Dr. Hugh Tracey 1950-63, showing the historical origins
of protest: the arrival of Europeans working in the mines, Trades Unions, continual
need for passes, lack of money, film shows, wars and bombings. The women too
have their say, not only about the men, but also in their final song: "Just
what has gone wrong?". Instruments include: bottle, drums, friction-stick, guitar,
harmonica, harp, lyre, melodeon, string-bow, thumb-piano (mbira), zither, and
saxophone. There are also all kinds of vocal effects: roaring, ululation, yelling,
hissing, talking, hand-clapping and stamping.
1. IUWALE-O-IUWALE (Start, O begin the song) Mbasela Kunda & William Munyanda
with guitar (sung in Lala), Broken Hill Mine, Serendje Dist, Zambia 1957. "What
are we doing? Their tents are over there beyond the Chiwondo river". It dates
from about 1900 - 2.44
2. UMGAQ'UPHUM'ENTABENI (The road comes from the mountain) Fighting Song by
Baca men, Zwekitsha, Kingwilliamstown Dist, Cape Prov., 1957. "(The white men)
have surrounded us. No, we've surrounded them". This dates from an episode in
the early wars of the 1800's when Europeans were trying to settle - 4.20
3. ZANZE NA TENGANI AFUNA MAPASS (Everything at Tengani needs a pass) George
Zongoloti & young girls with "Nthikwi" foot drum (Sena/ Mang'anja), Mpatsa,
Pt. Herald Dist., Malawi, 1958. "If you go to to Southern Rhodesia I have to
go to Chief Tingami for a pass, to fish I need another pass, to build a canoe
another. Well, I'm going back to Portugese territory over the border, to do
just what I like" - 3.18
4. PUMA ENDLINI YAM (Get out of my house) Irene Buyisma Ndumo (Xhosa) with
town dance band (leader: Jury Mpelho) (Xhosa),Grahamstown, Cape Prov., S.A,
1957. The girls sing: "Get out of my house, for you haven't paid your tax and
you haven't got a pass", but the boys refuse - 2.49
5. NAHATANGENA (When I entered) Eilas Silaule with 7 Shangaan men (Ronga),
Manica, near Lorenzo Marques, Mozambique, 1958. Kwaya song complaining about
work in the mines and on the farms: "My number was taken for doing something
wrong. The coco-pan was too heavy to push". followed by a long and detailed
description - 3.16
6. NDIZA FERA CHUMA (I never have enough money) Sitera Mbewe & Frank Mukweza
with 2 guitars (Njanja/ Chewa),1957. These two Chewa men came from Nyasaland
to Rhodesia to work on the Kariba dam project on the Zambezi river - 2.59
7. NDIZA NKUMBULA NA KATILUNGU BALISHA-MYONDO (N & K sound the calling
drum) Group of 11 Aushi men, Roan Antelope Mine, Lake Bangwelu Dist., Zambia,
1957. Mkumbula was the leader of the African National Congress who was in dispute
with Katilungu, leader of the African Trades Union - 2.56
8. BENONI Olive Alexander with "The Blue Notes" Dance Band (Leader: Russell
Planga) (Xhosa), Grahamstown, 1957. She complains: "My mother, father and brother
show me no respect, so I'll go to the Sotho and Zulu to live better" - 2.51
9. IZONO EM HLABENI (Our Sins will be ended when we leave earth) Joke Diamini & "The Homeless B Band" (Zulu), Havelock Mine, Swaziland, S.A., 1958. Possibly
learned from a 78 rpm record - 2.52
10. NGWINDINGWINDI ISHUMBA INORUMA (England is the lion that bites) Chief Takawarasha
with Karanga men with 2 "Esteri Shumba" drums (Karanga/ Mhari), Chibi Dist.,
1958. The appearance of the Pioneer Column to establish Fort Victoria and "Fort" Salisbury in 1890 gave rise to this song - 1.28
11. ATSHAKONGWE WAMWE MUND KUWALA KWAWO (The women of this country all wear
the same sort of dress) 5 Nyasa citrus workers with double-headed drum, melodeon & hoe-blade struck on bottle (Njanja/ Chewa), Nelspruit, E.Transvaal, 1957
- 2.45
12. BUSUMBU Isaka Kitutu with 7-string Litunga (Nilotic) lyre with shaken leg-bells
(Gishu), Mbale Dist., Uganda, 1950. "What is this phosphate for, at mines employing
so many Europeans, Indians and Africans? Perhaps one day we will know?" - 2.35
13. ANAWELA KOKAKOLA Muntano Gomez o Feliciano with guitar (Tonga/ Hlanganu),
Chibuto Dist,, Sul de Savo, Mozambique, 1955. "I like Coca-cola, but my brother's
too fond of beer", but the girl complains that she doesn't even get any of this
wonder-drink - 2.48
14. ANARE MANGEDE UDU-WE Eungane with Mbutu group & 3 Lisanzo "likembe"
(Mbira with 4 intervals in the octave) (Mombutu),Watsa Dist., Stanleyville Prov.,
E.Congo, 1952. "If one asks for something, the white man will not give it to
you" meaning "You must not ask, but wait until it's offered" - 2.54
15. I COULD DONE THE FILM IN THE MOON Nelson Siboza with guitar & The Montanas
brothers (Zulu/ English), Mataffin, Nelspruit, N.Transvaal, 1958. The citrus
estate provided free film shows which resulted in these ambitious sentiments
in English - 2.53
16. SITIMA SENDA NAMOTO (The train goes with fire) Josiasi Yemba Mate with
14-note "Kathandi" Mbira (Mbunda), Luanika, Mongu, Barotseland, Zambia, 1950.
Composed by the singer after walking to Livingstone for his first train journey
for a job in Bulawayo. This song won him a prize - 2.48
17. CHEMIROCHA (Jimmy Rodgers) Charondet Arap Ng'asura with 6- string "Chepkongo"
bowl-lyre & Kipsigis men, Sotik, Kericho, Kipsigis Dist., Kenya, 1950. "Why
is Jimmy Rosdgers at Kericho ? And visiing a friend at Ituna ?" - 2.52
18. BU Muilama Namale & Ganda group with 2 drums, Ssaza Chief Kago, Kasangati,
Kampala, Uganda, 1952. The people called "Bu" caused a disturbance in 1949,
but they should not have been arrested as they had no weapons and neither did
they do any damage - 3.00
19. JEAN NDJELA KU PARQUET (J N before the Court) Ombiza Charles with guitar,
bottle & friction-stick (Swahili/ Ngwana), Oroclos, Stanleyville, Congo,
1952. Jean Ndjela, a personal friend of Ombiza's, was a thief on a grand scale.
When arrested for stealing goods to the value of 2-3 million francs (about o20,000),
he implicated the people who had received the stolen goods, and when he appeared
in Court he was followed, not only by his accomplices, but also by the porters
bearing the stolen merchandise on their heads. The song ends: "Ndjela, you cannot
take all these goods to your grave with you" - 3.00
20. ABASUNGU BALISA-WE TATA Philemon Kalela with group of Bemba men, Fort Roseberry
Dist., Zambia, 1952. "The white people have come, father. They are flying in
the air. They have made the smelter. They have made the shaft. They have brought
the money. They brought clothing. They have come here for good. They will never
turn back from our country. They have settlede in our (Lamba) country. These
settlers of the Copper Belt - 2.45
21. EKUMA (A piece of iron) Temusewo Mukasa with 8-string harp, Kasangati,
Kampala, Uganda, 1952. Song about the first mechanical roundabout to be brought
to Uganda, on which the local chief's ladies were persuaded to ride, but didn't
care for it all - 2.55
22. DALE WANDIZONDA Manyanda Nyirenda with young Tonga boys, men & women,
Chinteche Dist., Malawi, 1950. "My darling doesn't leave me any more. Why is
this ? I put on white clothes but it doesn't help - 2.25
23. AMASEYIBOKWE ANTHENGWA NGEMALI (For a certain type of socks you must pay
dearly) Gaeleka boys & girls with harmonica perform "Mtshotsho" dance-song
(Xhosa/ Gaeleka), Old Idutywa, Transkei, E.Cape, S.A., 1957. The Gaeleka find
a mouth-organ suits their repetitive type of dance-song - 2.25
24. KANTHU PA INGALANDI (In England) Beti Kamanga with 7- string "Bangwe" raft
zither (Tonga), Chinteche Dist, Malawi, 1950. The singer recalls the 1939-45
War when many thousands of Italian prisoners were taken. Beti was born in 1902.
Blind from the age of 5, he made his own zither of 8 papyrus stalks tied together
in a raft, with a gourd resonator - 2.45
25. NI SA IKELA KU MWANALUSHI The Sons of Barotseland Patriotic Society Choir
(Lozi), Zambia, 1952. In the villages they sleep on the ground, but this man
sings: "I want to go to hospital and lie on a proper bed (mbeda)", but when
he falls ill, his people try to dissuade him from going - 2.32
26. BURAI Teituk Arap Sumiyot with Kipsigis men with 5-string "Kibungandet"
lyre (Swahili/ Kipsigis), Sotik, Kenya, 1950. Composed by Teituk when he was
an "askari" in the King's African Rifles, urging everyone to cheer up. "As soon
as the war is over, they will be going home" - 2.45
27. BALIHAYA HUU, WELELO YABELO, WELELO YABELA TWISHINYE MBINA Mazigwa Kaswende
with Sukuma men & women (Nyamwezi/ Sukuma), Shinyanga, Tanzania, 1950. "The
World is at peace once more, let us dance". This was composed following the
1939-45 War, called "The Bombing of the English and Americans" - 2.41
These recordings were made by Dr.Hugh Tracey in the early fifties for The International
Library of African Music and are reproduced here with his permission and that
of the Library. First published on Folktrax cassettes 1976.