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FTX-250 - COLD BLOW & A RAINY NIGHT

Mrs CROTTY'S CEILIDHE BAND

Mrs Crotty's Ceilidhe Band with 8 songs & 9 dances led by Paddy REARDON (Vocals, whistle, flute, guitar, bass & tambourine), Peter STEVENS (fiddle & mandolin) & Martin RUDER (guitar & whistle). Here recorded at a live session at "The Dartmouth Inn", Totnes, Devon, the Band is named after the much respected Irish concertina player from Kilrush, Co. Clare.

1. A SET OF JIGS: The Greengrocer & his wife/ The Muckin' o' Geordie's Byre/ Just the Thing/ Paddy Carey. The first whistle tune was composed by Rod Ward, the band's founder - like many English musicians with a love of Irish music, he has given it an Irish sound - 2'18"

2. RATTLING ROARIN' WILLIE: A Scottish song, usually attributed to Robert Burns, which is in 9/8 hop-jig rhythm - 2'43".

3. TWO SCOTCH REELS: Twas within a mile o' Edinburgh Toon/ The Bottom of the Punch Bowl. These are known to the band as their "Rattlin' an' Roarin'" tunes - 1'56"

4. CHILDGROVE/ HEWLETT: 17th Century tune from John Playford's "Compleat Dancing Master" followed by one composed by the celebrated Irish harper, Turlough Carolan (1670-1738) - 3'31"

5. THE LITTLE DRUMMER: A song noted in both Scotland and Newfoundland from Irish settlers but probably of English origin. It's amazing what you can achieve if you are ready to shoot yourself - 3'05"

6. THE SIEGE OF ENNIS: Irish dance for two couples facing two couples, using two polkas, The Rattling Bog/ Farewell to Whisky - 2'48"

7. THE BEGGARMAN SONG: An Irish Street Ballad which goes to the reel or hornpipe The Red-haired Boy. Begging can't be all this song makes it out to be - 3'53"

8. O KEEFE'S SLIDE: A Round Dance for couples from County Kerry with a local tune played by Padraig O Keefe which has now become widely known - 1'01"

9. PRAB SAN OL (ANOTHER ROUND): An Irish Gaelic drinking song distilled into English by that wild bunch of musicians, The Dubliners. It has a very poetic approach to drinking - 1'16"

10, FINEGAN'S WAKE: A Dublin Music-Hall song which graphically describes a full- blooded Irish wake. Reputedly the source for James Joyce's great novel - 2'39"

11. TWO POLKAS: Denis Murphy's/ Johnny Ryan's. These polkas have no names, so they now take those of the two fiddlers heard playing them - 2'17"

12. THE HOT ASH-PELT: Another Irish Street ballad collected by Peter Kennedy from John McLaverty in Belfast. It goes to the old march tune, Napoleon Crossing the Alps. Did Boney use bitumen on his way to Moscow? To be sure - 2'53"

13. THREE SCOTCH REELS: The Floo'ers of Edinburgh/ Aul' Donal'/ Roxburgh Castle. Country Dances tunes which the band use to get the folks dancing: "The Dashing White Sergeant" - 4'08"

14. COLD BLOW AND A RAINY NIGHT Why are the girls in these ballads so easily seduced and the boys such swines ? - 2'44"

15. THE TREES ARE GROWING TALL: A version learned from Dominic Behan with words from his brother, Brendan. I'm afraid we have taken liberties with both words and tune - 3'02"

16. LA RUSSE: A popular English quadrille collected by Peter Kennedy in Northumberland in 1950. What were the French up to with this Russian lady, we wonder? - 1'55"

17. THE LAST DANCE: The Flower of the Flock/ Mrs Crotty's Reel. (We understand that Mrs Crotty's daughter, Peggy, keeps a pub in Kilrush, Co Clare, so, with this last tune, we send her our best wishes) ("Time" is called for last orders at the bar with a drum-rattle heard before this last item item) - 2'53"

Recorded live at The Dartmouth Inn, Totnes, Devon & Soundpost Studios by Peter Kennedy 28th May 1980. Edited by Peter Kennedy and first published on Folktrax cassettes 1980.

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